May 14, 2007
The Dead Lover
The Dead Lover
Marie-Theresa Hernández
Pere-Lachaise Cemetery, Paris
2005
She was someone's lover. From the epitaph on the gravestone, scandalous things were said about her.
© Photo and Text
Copyright 2007 by Marie-Theresa Hernández. All rights reserved.
East End Party
Houston Immigration Protest March
Protest I
Marie-Theresa Hernández
Houston, TX
March 2006
Some of my students attended the march in order to write response essays. We had been arguing all semester about immigration issues. Those who were strongly anti-immigrant were very moved by the event- it changed a lot of minds.
© Photo and Text
Copyright 2007 by Marie-Theresa Hernández. All rights reserved.
Two Girls
Two Girls
Marie-Theresa Hernández
Houston, TX
May 2007
A long time ago I used to take lots of photos and show them in exhibits. After being involved in the art world for a while, I realized that type of environment was not conducive to my artistic production and well being. Now that I am in academia, I find that I may not take as many photos, but they feel less pressured. No more art exhibits. Since 1998, I have concentrated on producing photographs for the books I write. After some serious thought, I decided the web would be another good place to show them. I think the main issue about producing art is for it to be accessible- anyone should be able to see and enjoy the images.
This photo was taken at a wedding in Houston in May 2007. It was not meant to be a "wedding picture" per se, although the family asked me to photograph the event. I did it as a favor and gift. At the same time, I find this image of the two girls full of a type of innocence that is not over run with nostalgia.
As I begin this photography site, I want to thank my professor, photographer George Krause --who taught me how to see.
© Photo and Text
Copyright 2007 by Marie-Theresa Hernández. All rights reserved.
Hand Imprint
Hand Imprint - San Isidro Cemetery
Marie-Theresa Hernández
Sugar Land TX, 2004
This photograph will be the frontispiece of my forthcoming book "Cemeteries of Ambivalent Desire: Narratives of the Deep South in a Texas Graveyard," published by Texas A&M Press.
This piece of concrete was laying by the fence between the Latino and the Black sections of San Isidro Cemetery. Apparently someone made it of spare concrete that had been used to decorate a grave space.
The image is intriguing. It is a striking symbol of the inverted and spotted memories residing in San Isidro.
© Photo and Text
Copyright 2007 by Marie-Theresa Hernández. All rights reserved.
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